We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

I Came from the War

by Jessi Robertson

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Special fan-favorite bonus track recorded live at The Bunker Studio and available exclusively through Bandcamp when you pre-order the digital, CD, or Vinyl version of the album.
    Purchasable with gift card

      $10 USD  or more

     

  • Record/Vinyl + Digital Album

    "I Came from the War" 180 gram weight 12" classic black Vinyl with custom jacket design by Don Paris Schlotman and cover photo by Katie Basile.

    Includes unlimited streaming of I Came from the War via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 150 
    Purchasable with gift card

      $15 USD or more 

     

  • Compact Disc (CD) + Digital Album

    Gatefold matte card case with design by Don Paris Schlotman and cover photo by Katie Basile.

    Includes unlimited streaming of I Came from the War via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 150 
    Purchasable with gift card

      $10 USD or more 

     

  • Full Digital Discography

    Get all 21 Jessi Robertson releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Home Alone for Christmas, Taking Out Monsters, Pockets and Pantylines, Delayed Pursuit (Closed Circuit Version), I'm a Story (Closed Circuit Version), Frame Dragging (Closed Circuit Version), Delayed Pursuit, Fresh Way to Disappear, and 13 more. , and , .

    Excludes supporter-only releases.

    Purchasable with gift card

      $41.24 USD or more (25% OFF)

     

1.
Fire devours, then purifies. Hungers for Summer that never dies, while smoke cloaked in blackest night bleeds between its thighs. You're gonna burn, my love, either way you turn. Ice preserves, holds the world unchanged in cold crystal patterns, delicate and strange. Whitest mist, Winter's bitter kiss, blisters flame upon your lips. You're gonna burn, my love, either way you turn. Cold steals the old color from your eye. Heat heals your body but leaves your soul dry. Both mean to rule you, dead or alive. You're gonna burn. You’re gonna burn. You're gonna burn, my love, either way you turn.
2.
Paper Crowns 05:13
This is the hunt, I stalk my prey. When you draw nearer I push you away. Please make it hard to catch your scent, though it confuses you, how I hurt you and then repent. Challenge me, don't give in easy. Run from me, don't try to please me. I need to fight for you, I need to fight and win. Challenge me, please don't give in. It's in my blood, in my DNA, this need to chase and bleed my prey. When you evade me it goes to my head like champagne. I'm going to catch you and make you mine again. Challenge me, don't give in easy. Run from me, don't try to please me. I need to fight for you, I need to fight and win. Challenge me, please don't give in. How I wanted to make you mine, but you came circling behind and now I'm caught in your lure. I'm yours. I lay my weapons down, I throw away my paper crown. We were just children at play, the hunter and the prey. Surrender. Shouldn't this be easy? Come back to me. Don't you want to please me? I don't want to fight anymore. This is not a game we can win. Surrender, please let me in.
3.
Trouble 04:22
Trouble follows me around Like gravity inexplicably pins me to the ground. You roll in gray and blind me to the way The real danger plummets down like a bird of prey. Trouble, you always get your way. And when you go too far I’ll call you back into my arms. You seduce me, you reduce me to my knees. Trouble is never far away Like a magnet’s field pulls me in until I can’t draw away. Jealous of the sun, you’d keep me from the one Who could dissipate these shadows that I can’t seem to outrun. Trouble, when will you be done? And when you go too far I’ll call you back into my arms. You seduce me, you reduce me to my knees. This will end in red before the night is dead, that alone will atone for all the innocence you've bled. Trouble, Trouble, Trouble
4.
Tin Man 03:45
If I had a good heart I hope it would be good yesterday, today, and tomorrow, but in your eyes, it twists and it lies til it's an instrument of cruelty and sorrow. I feel it beat inside, I feel it keeping time with the breath that brings me life, pulling in the oxygen. How can it be a bad thing, when my heart keeps beating, bringing the inspiration that makes the air worth breathing, breathing, breathing, breathing if I had a good heart I'd be there for you you could call me up and I'd be at your door sometimes I’d think of you and do something just because but you don't believe in my heart anymore I feel it beat inside, I feel it keeping time with the breath that brings me life, pulling in the oxygen. How can it be a bad thing, when my heart keeps beating, bringing the inspiration that makes the air worth breathing, breathing, breathing, breathing, breathing, breathing if I had a good heart, if I had a good heart...
5.
Immolate 05:02
You want to tell me what I should do? You think you’re the first one I’ve answered to? But you’ve worked out all the symbols & signs? Take a number, get in line The flame it summons us all. We beat our wings, make shadows rise and fall. We need to burn, immolate. I hear your voices call, “Come in, seal your fate.” It feels like the years are a gravestone weight strung on a necklace I treasure and hate. It seems clear I should just run away, but you skipped over history that makes me stay. The flame it summons us all. We beat our wings, make shadows rise and fall. We need to burn, immolate. I hear your voices call, “Come in, seal your fate.” You read some words so you think you know the story that started decades ago. But I am just lucky to have survived, a stunning catastrophe, I’m alive. I’m alive.
6.
Lipstick 03:36
Lyrics: Pull that blind and cover that window up. Too much light in my eyes, I’m going blind from the drink and the drug. How can I get high when you always bring me down? One more cheap trick, a fresh coat of lipstick, another one down. Talk dirty baby, play me your shaky guitar. Nothing gives me the blues like your blue eyes begging alms at the back of the bar. How can I get high when you always bring me down? One more cheap trick, a fresh coat of lipstick, another one down. I am not your mother. I don't wanna be your lover. You better find someone else to discover, I'm gonna pull down the blinds and recover. How can I get high when you always bring me down? One more cheap trick, a fresh coat of lipstick, another one down.
7.
Monotone drone, I don't think you know what that means. Too loud to ignore, too bland to be obscene. I've got a message for you, inked into my skin. I'd open my hand but you don't want to read, you refuse to see the message, the mark, the triumph, the scars within. You'll blend in, forget this day ever happened. Repeat your past. Youth forgotten, discarded snakeskin. I've got a message for you, inked into my skin. I'd open my hand but you don't want to read, you refuse to see the message, the mark However you change one thing will remain, the monotone drone of your voice saying nothing, nothing, nothing, nothing, nothing...
8.
I have this photo from decades ago in a water stained, crumbling cardboard frame. She looks like me, my great grandmother, when we were 17 with our heads full of dreams. I don't want to let go of these dreams. They say you never know but I know everything about how the same days keep coming around, what looks like a new path is the same old ground. If I walk long enough I'll arrive where I started this silly old thing. A string of pearls and an early spring rose, all that's left is this photo from decades ago. The shape of our lips and the shade of our eyes, when we were 17 with our heads full of dreams. I don't want to let go of these dreams. They say you never know but I know everything about how the same days keep coming around, what looks like a new path is the same old ground. If I walk long enough I'll arrive where I started this silly old thing.
9.
Winter Coat 05:12
There’s a lot of fear in this old heart of mine, of a friend, of a lover, of a sign and she pains me when I step out of line. I won’t entertain these thoughts by day, so at night they sneak outside and start to play. Come morning, I try to put them all away I can’t live between fear and hope. Oh this world won’t be controlled. It’s time I shed my winter coat, peel off my gloves, clear my throat, say, “give me what you owe me before I go.” There’s a hole in me that nothing can kill, not religion, not the bottle, not a pill, but it’s mine to dry or drown as I will. I’m afraid of what you’ll see inside my head. All the wretched ghosts I raised up from the dead. So I show you what I think you want instead. I can’t live between fear and hope. Oh this world won’t be controlled. It’s time I shed my winter coat, peel off my gloves, clear my throat, say, “give me what you owe me before I go.”
10.
Cipher 03:44
Hold up the white flag, then pin it to the wall. None of this looks real anymore. Leave the debris where it falls. There's an alchemy in turning 1s and 0s into reality, a cold comfort in placing pixels between chaos and the screen. So put your mask back on, catch a stuttered breath of air. View the landscape through the filter of another lens flare. There's an alchemy in turning 1s and 0s into reality, a cold comfort in placing pixels between chaos and the screen. Is it too late to rewrite the code or do we have to burn it all down?

about

In 2011, Brooklyn singer/songwriter Jessi Robertson released a study in memory called "Small Town Girls." On her new album, "I Came from the War," the focus shifts to history, and how the inner and outer conflicts of the past shape a person's present.

While we've become experts in the art of the perfect self-image, Jessi remains fascinated by the accidental beauty revealed in the imperfections; the hopeless romantic who spurns love, the stubborn pride covering a grievous wound, the unshakable faith that no amount of darkness can kill.

These contradictions are faithfully captured in the live performances on "I Came from the War." There's room to roam from a ghostly lullaby croon to a wild banshee wail, supported by the lush instrumentation of band mates Omer Leibovitz (The Courtesy Tier, Dan Abraham), Alex Picca (The Press), and Layton Weedeman (The Courtesy Tier).

credits

released December 9, 2014

Album Info:
Recorded in February and March of 2014 at The Bunker Studio
Produced by Omer Leibovitz
Engineered and Mixed by Aaron Nevezie
Mastered by Scott Hull at Masterdisk

The Band:
Jessi Robertson - Vocals, Rhythm Guitar, Piano, Organ, Synths
Omer Leibovitz - Lead Guitar, Mini Moog, Roland RS-09, Percussion
Layton Weedeman - Drums
Alex Picca - Bass

With Special Guests:
Aaron Nevezie - Organs, Synths, Piano
Erik Deutsch - Organ
Jacob Bergson - Wurlitzer

Artwork:
Cover Photo by Katie Basile
Design & Layout by Don Paris Schlotman
Logo by Nick Zegel

license

all rights reserved

tags

about

Jessi Robertson Nashville, Tennessee

Jessi Robertson is a Nashville-based singer/songwriter whose work navigates the boundaries between reality and imagination, and lays bare her own emotional truths.

shows

contact / help

Contact Jessi Robertson

Streaming and
Download help

Redeem code

Report this album or account

Jessi Robertson recommends:

If you like Jessi Robertson, you may also like: